Poetry Collage Assignment

Why do you do what you do? What is the engine that keeps you up late at night or gets you going in the morning? Where is your happy place? What stands between you and your ultimate dream?

Heavy questions. One researcher believes that writing down the answers can be decisive for students.

He co-authored a paper that demonstrates a startling effect: nearly erasing the gender and ethnic minority achievement gap for 700 students over the course of two years with a short written exercise in setting goals.

Jordan Peterson teaches in the department of psychology at the University of Toronto. For decades, he has been fascinated by the effects of writing on organizing thoughts and emotions.

Experiments going back to the 1980s have shown that "therapeutic" or "expressive" writing can reduce depression, increase productivity and even cut down on visits to the doctor.

"The act of writing is more powerful than people think," Peterson says.

Most people grapple at some time or another with free-floating anxiety that saps energy and increases stress. Through written reflection, you may realize that a certain unpleasant feeling ties back to, say, a difficult interaction with your mother. That type of insight, research has shown, can help locate, ground and ultimately resolve the emotion and the associated stress.

At the same time, "goal-setting theory" holds that writing down concrete, specific goals and strategies can help people overcome obstacles and achieve.

'It Turned My Life Around'

Recently, researchers have been getting more and more interested in the role that mental motivation plays in academic achievement — sometimes conceptualized as "grit" or "growth mindset" or "executive functioning."

Peterson wondered whether writing could be shown to affect student motivation. He created an undergraduate course called Maps of Meaning. In it, students complete a set of writing exercises that combine expressive writing with goal-setting.

Students reflect on important moments in their past, identify key personal motivations and create plans for the future, including specific goals and strategies to overcome obstacles. Peterson calls the two parts "past authoring" and "future authoring."

"It completely turned my life around," says Christine Brophy, who, as an undergraduate several years ago, was battling drug abuse and health problems and was on the verge of dropping out. After taking Peterson's course at the University of Toronto, she changed her major. Today she is a doctoral student and one of Peterson's main research assistants.

In an early study at McGill University in Montreal, the course showed a powerful positive effect with at-risk students, reducing the dropout rate and increasing academic achievement.

Peterson is seeking a larger audience for what he has dubbed "self-authoring." He started a for-profit company and is selling a version of the curriculum online. Brophy and Peterson have found a receptive audience in the Netherlands.

At the Rotterdam School of Management, a shortened version of self-authoring has been mandatory for all first-year students since 2011. (These are undergraduates — they choose majors early in Europe).

The latest paper, published in June, compares the performance of the first complete class of freshmen to use self-authoring with that of the three previous classes.

Overall, the "self-authoring" students greatly improved the number of credits earned and their likelihood of staying in school. And after two years, ethnic and gender-group differences in performance among the students had all but disappeared.

The ethnic minorities in question made up about one-fifth of the students. They are first- and second-generation immigrants from non-Western backgrounds — Africa, Asia and the Middle East.

While the history and legacy of racial oppression are different from that in the United States, the Netherlands still struggles with large differences in wealth and educational attainment among majority and minority groups.

'Zeroes Are Deadly'

At the Rotterdam school, minorities generally underperformed the majority by more than a third, earning on average eight fewer credits their first year and four fewer credits their second year. But for minority students who had done this set of writing exercises, that gap dropped to five credits the first year and to just one-fourth of one credit in the second year.

How could a bunch of essays possibly have this effect on academic performance? Is this replicable?

Melinda Karp is the assistant director for staff and institutional development at the Community College Research Center at Teachers College, Columbia University. She leads studies on interventions that can improve college completion. She calls Peterson's paper "intriguing." But, she adds, "I don't believe there are silver bullets for any of this in higher ed."

Peterson believes that formal goal-setting can especially help minority students overcome what's often called "stereotype threat," or, in other words, to reject the damaging belief that generalizations about ethnic-group academic performance will apply to them personally.

Karp agrees. "When you enter a new social role, such as entering college as a student, the expectations aren't always clear." There's a greater risk for students who may be academically underprepared or who lack role models. "Students need help not just setting vague goals but figuring out a plan to reach them."

The key for this intervention came at crunch time, says Peterson. "We increased the probability that students would actually take their exams and hand in their assignments." The act of goal-setting helped them overcome obstacles when the stakes were highest. "You don't have to be a genius to get through school; you don't even have to be that interested. But zeroes are deadly."

Karp has a theory for how this might be working. She says you often see at-risk students engage in self-defeating behavior "to save face."

"If you aren't sure you belong in college, and you don't hand in that paper," she explains, "you can say to yourself, 'That's because I didn't do the work, not because I don't belong here.' "

Writing down their internal motivations and connecting daily efforts to blue-sky goals may have helped these young people solidify their identities as students.

Brophy is testing versions of the self-authoring curriculum at two high schools in Rotterdam, and monitoring their psychological well-being, school attendance and tendency to procrastinate.

Early results are promising, she says: "It helps students understand what they really want to do."



·         A collage is a work of art that combines various materials to create a composition with visual unity.

·         You may use a variety of materials from scraps of wallpaper to dried flowers.Magazines, newspapers, and photographs are commonly used, but the more creatively you use mixed media, the more inventive and intriguing your collage tends to be.

·         Remember that art is the playground of free expression.

·         Almost every work of art traces a concept and seeks unity of composition.In other words, artists are trying to exhibit some idea or communicate certain feelings.Your work of art is the vehicle for this idea or concept, insight or emotion.

·         Be conscious of the overall effect you hope to achieve and the dominant impression you wish to impart.Emphasis is important and can be expressed in a variety of ways using a variety of techniques.Think elements of composition and design here.How might color or size or juxtaposition or repetition emphasize an idea or theme?

·         Ultimately, only you can tell how to best express your concept.

·         Visual art is music to the eyes, so make it dance.Think about how you might provide a rhythm to the work through the use of positive and negative space as well as size and color.How do the lines work?What shapes are created?How does one thing interrelate with another?How have you organized the overall composition?

·         Make your collage dance to the beat of your own drum and reflect your own personal identity/worldview, and do all of this within the context of how you are shaped by culture and experience.Think deeply about who you are and how you got to be the way you are.Think about how you go about being in the world and of the people, places, things, and ideas that have influenced you.

·         You may use any media you choose from newspaper on posterboard to multimedia, such as video, Powerpoint or other animated slide show software, Flash, webpage, etc.For multimedia creative projects, you have a time limit of 3 minutes or the length of one song (as long as it doesn’t exceed 7 minutes).

Ask yourself:

Ø      What is it that makes me a unique individual?

Ø      What do I like to do?

Ø      What are my core values and goals?

Ø      What words and images reflect my views on life and the things I care deeply about?

Ø      What is the central focus of my life?

Ø      Who am I?

Ø      How have people, experiences, and places shaped me?

Ø      What/Who are the threads that weave the fabric of your life?

Ø      What’s my keenest insight?highest wisdom?deepest belief? truest face?

Ø      What symbols best represent my true self?

Ø      Think of the Egyptian belief in 5 bodies:physical, mental, spiritual (ka=soul / ba=personality), emotional, magical.

Planning the composition:

v      Ask several people who know you well and whom you trust to give you 10 words that describe who you truly are & weave these into your composition/design.

v      Collect objects, images, and text.

v      Get philosophical & surrender to the creative process.

v      Apply composition and design principles.

v      Unity:does everything work together?

v      Color:dominance, balance, blending, contrast, complementary, etc.

v      Texture:implied or literal (mixing media adds texture)

v      Shape/form: overall and compartmental:2-d (length + width), 3-d (length + width + depth) , 4-d (length + width + depth + movement/time)?

v      Line:used to create rhythm and express emotion (Typically, a grid provides stability whereas a diagonal line implies slippage or uncertainty; a spiral intimates dynamic flow and seems to move both inward and outward simultaneously.)

v      Rhythm:established through patterns and the interplay of compositional elements.

v      Positive/Negative space:Does the background provide context or contrast?What is emphasized as the subject matter of the work?

Written Component :When you present your collage to the class, you must also submit to me a 200-300 word paper describing your concept and explaining the subtext. (Include word count.)

NOTE: Please type this paper on a separate sheet of paper (& don't affix it to the project itself).

1.      Include a discussion of what you are trying to express and the 10 words you've woven into the artwork.

2.      Provide a succinct yet thorough explanation of how you applied the elements of composition and principles of design to visually express your ideas, your theme, your use of symbolism, etc.

3.      Explain what you hope the viewer will come to understand about you by looking at your creation.


[                  2-3 minute oral presentation of your work of art with an additional 3-4 minutes for your creative component should you choose to go for the creativity bonus points (see below for details).

[                  You may earn up to 5bonus points by adding a creative performance element to your presentation: write/recite a poem (simply reading someone else's poem will not earn you any points), play an instrument, dance, etc.

[                  What you include in this oral presentation should focus on form & process (how you achieved your finished composition, how you applied the elements of composition and design, how you used symbols, humor, irony, etc.) rather than content (what pictures and words you used).

[                  Explain what message(s) you were trying to convey and how you played out your concept.

[                  Your presentation must address how you used the elements of composition and design.


[                  Work presented on the due date will automatically receive a 50 or higher.

[                  You will be graded on various criteria:

1.      originality

2.      expression of your concept visually, orally, and in your written explication of your work

3.      time expenditure

4.      use of elements of composition and principles of design

5.      how well you expressed your theme and concept

[                  Your creative project must be submitted at the beginning of the designated class period, and late projects will NOT be accepted. "Get out of jail free cards" can NOT be used for this assignment unless otherwise granted permission due to mitigating circumstances that would constitute an excused absence (see syllabus for details).

[                  Up to 5 bonus points will be awarded for added creativity in presentation, i.e. playing guitar or singing, dancing or reciting poetry, etc.

[                  Once all of the collages have been presented, the class will vote for "Best of Show," which will receive 10 bonus points and will be entered into an art showcase of humanities students' creative projects that will be held the last Friday before final exam week at the Spring Creek campus atrium. (No voting for oneself.)           

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