Prezi is not new, and by now you’ve heard about it and have already decided whether or not you like it. (Of course when you say you don’t like it, you mean you don’t think it’s an effective learning tool, right?)
The draw is simple enough: novel presentations that tell stories or relay arguments and ideas. It is marketed as the “non-PowerPoint”–the software that allows you to “jazz up” presentations (while making you seasick in the process).
But focusing on its novelty misses the power of a digital essay: multimodal (and multimedia), non-linear narrative and argument sequences that can support text, images, voiceovers, YouTube videos, music and more while using the background and pathways themselves as layers of additional meaning. Learners can express ideas, then reinforce select details, a thesis, or even a narrative event by having free control over the “camera” and where the readers eyes go. This can be very, very powerful if done correctly.
As Simple Or Complex As You’d Like
Digital essays on prezi can be used as very simply–to copy/paste typed pencil/paper essays, or in far more creative and interesting ways.
To show what’s possible, I’ve gathered up 21 of the more interesting (and academic-focused) presentations so that you can have a look-see. You can use them in your classroom for their content, or use them as models for students to see what’s possible.
Note that even with the digital essays below, each are interesting for different reasons, but even many of these are guilty of the occasional gratuitous zoom and spin. But before you hate prezi for this, realize that just because others abuse the spin and zoom doesn’t mean your students have to. Let them know ahead of time–no gratuitousness, unnecessary spinning or zooming; give a badge to the student that shows the most restraint here, they’ll figure it out.
They’re all embedded below–hopefully it doesn’t crash your browser.
21 Amazing Digital Essays You Can Use In Your Classroom
1. Reimagining Public Education
2. Social Media 101
3. Digital Portfolios
4. Heart of Darkness
5. Prezi & Mobile Learning
6. Plot Diagramming
7. How Prezi Works
8. Syria: The Basics
9. 30 Things About Me: A Personal Essay
10. Martin Luther King, Jr.
11. Android 101
12. A Visual Overview Of Typography
13. Artificial Intelligence
14. The Destruction Of Non-Linear Learning
15. Sensation & Perception
16. What’s A Prezi?
18. The Theory Of Relativity
19. From Assignment To Research
20. Everything That Rises Must Converge
21. Operations With Fractions
Bonus: This is a rambling, opinion-based but thorough look at the intersection between population growth, culture, and public education I wrote last year. It’s very long. Brownie points if you make it all the way through.
In preparation for teaching some NGOs in Iraq how to tell their stories through multimedia photo essays, I’ve been visiting many incredible sites that are the home to some amazing photo essays. I want to link them for you in this post. If you are a photographer and interested in creating something similar to these; analyze them, look at how they start, what makes up the main body of work, how do they end? I think you’ll find some amazing conclusions. I think you’ll see that the old concept that every photo essay has an establishing shot, a medium shot, a detail shot and a conclusion has to be taken with a grain of salt. All these elements are in the story, no doubt. But the first shot may not always be a traditional tell all, establishing shot. These days when I look at a New York Times essay often the first shot is what I would call “The hook shot”. It is a shot that grabs the viewer, entices them, draws them into the story. It could very well be the best shot of the essay. It might be the establishing shot that sets the stage, but it will be so compelling of a shot that the viewer is drawn in and can’t leave. The other main factor in a photo essay is a given, but not always adhered to by novices, that is every shot must be good enough to stand alone. Every shot! There should never be a shot put into the essay that is simply a placeholder or a fill. Each and every image needs to be strong. In fact, the stronger the better.
Ideally the essay needs a plot arc like a good book; background, details, the tension and paradoxes and the conclusion. You will find this in every story listed below.
A photo essay can run from anywhere from five photos to 35 photos or more. There are no hard and fast rules how many photos you need. What you need is enough photographs to tell your story and make your point. Make sure you know your story. Don’t run down rabbit trails with photos like a bad story teller does with words. Too many images get complicated and you risk loosing your viewer to boredom.
One of the things that excites me about where the photo essays is going, is the advent of audio beds. It can be something as simple as random ambient sounds; chickens clucking, car horns honking, footsteps and voices in the background. But often it is audio of the subject of this photo essay adding depth to their story. Another trend, but I’m not prepared to venture into quite yet, is the inclusion of video into the essay. The best examples of this are found at mediastorm.org. Brian Storm has made a home for the best multimedia in the world. It is quite common for one of the videos hosted by mediastorm.org to win an award. One of the most current is the photo essay entitled “The Rape of a Nation“, by Marcus Bleasdale, documenting the war in the Democratic Republic of Congo (DRC) which is said to be the deadliest war in the world today. An estimated 5.4 million people have died since 1998, the largest death toll since the Second World War, according to the International Rescue Committee (IRC). Bleasdale just won the The Anthropographia Award for Photography and Human Rights.
One of the best over all examples of audio blended together with photographs is the series being done by Todd Heisler and produced by Sarah Kramer for the New York Times entitled “One in 8 Million“. It is filled with brilliant images of Pulitzer Prize winner Todd Heisler, all supported by engaging audio and ambient sounds through out the shows. The shows are short, each averaging no longer than 3 mins. The series simply tells the stories of people picked out of the crowd of New York’s 8 million people. Each image is an amazing photo that can stand on its own. In 2006 Heisler won a Pulitzer Prize for Feature Photography for “Final Salute,” a series of photographs, taken over the course of a year, profiling the funerals of Marines who died in the war. Heisler’s Powerful photographs combined with engaging audio makes One in 8 million unforgettable and a must-see.
Gojra, Korian, Pakistan attacks on Christian villages from gary s chapman on Vimeo.
There are a lot of other site that highlight this new and developing trend in multimedia. Here is a short list: viiphoto.com, Magnum In Motion, The Back Snapper, and Vewd.) The last site I want to cover is a friend of mine, Gary S. Chapman. Gary works freelance and many of his clients are Christian aide workers. You must visit his website and check out his multimedia work on Vimeo. Gary takes the tacked of not using a simple player like some of us. He mixes his images and video in Final Cut Studio to give an engaging mix of video effects, video frames and still images for something closer to a Mediastorm production. Gary’s shows are short and to the point yet very moving.
If you are like me and find that this is a genre that you really enjoy and are finding yourself drawn to with every click of your shutter, then spend some time lurking about the sites listed above. Then join me in creating compelling stories.